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SHAPES, FORMS, AND MUTED COLOR ON A GRAY DAY IN FORTUNA

For me, it is often form that catches my eye. Sometimes form becomes more the focus of the image than the lighting. The lighting in this image is flat, and the only real contrast in the lighting is in the doorways. The primary contrast is created by the colors of the greens and browns.

I was drawn to the symmetrical as well as the asymmetrical aspects of these structures. The concrete curbs are mirrors of shape, but not scale.