GUARDIAN METERS

MORNING AT THE AVALON

I do not have the intention of having parking meters in all my photographs. The idea of a conceptual art series/theme is not what I am after. That said, I do like this little sub-series of my Eureka theme. As I mentioned yesterday, I do not go looking for specific compositions. I usually have some building in mind when I start photographing. For months I started my mornings at or near the Lloyd Building, and then I would venture in ever widening circles as I explored the business district of town. I think I favor buildings like this one that have not been remodeled. There usually are things about the original architecture that draws my attention to a specific building.

I spent a lot of time on this image in post production processing in Lightroom. My process is not all that different from the days where I used photo oil paints on black and white prints. It is all in the details, and I find that to be my truth with my current process. 

SWEET DREAMS

SWEET DREAMS AT THE EUREKA THEATER

I sometimes think that I would like to own a boom truck. If I had one I would see if I could park out front of some of these buildings and lift myself up about thirty feet. I think I could get some really different perspectives. There are dozens of buildings that I would like to photograph from a higher vantage point, and this is one of them. Perhaps I will get on the roof of the RAA Gallery some bright morning to see how the theater looks from there.

I missed Arts Alive last night. I imagine it was a fun event. This was the first time in a long while that I did not have an art opening somewhere (I suppose I can call my little space in the basement of the Morris Graves Museum of Art an exhibit, and that last night was the opening). Anyhow, I think that the show at the Eureka may have been interesting and fun. It is encouraging to realize all the activity that is now happening on the six-hundred block of F Street.

MORE EUREKA MORNING MAGIC

SILENT SENTRIES

I am starting to see a pattern in my current vision. I was not thinking that I needed to continue finding compositions that include parking meters - it just happens that way. As I look at these images from Thursday morning, I am again realizing that when I get in the "groove" while photographing, that it just starts to flow. To paraphrase Minor White "something else enters into the process" - a third aspect that is created by the subject, and the photographer. As I photograph, my busy mind becomes quiet, and the camera becomes a window to a vision that eludes my normal vision.

I realize that this "extrasensory" element of my art making is capable of transcending time and space. What I mean is that as I work the image in my digital darkroom I come back into a sort of time warp that allows for the magic and mood of the time and place of the photograph to come back into my awareness. I sense too, that the developing process allows for further statements from the subject. It is as if the subject has more to say, and that it is my job to open up a line of communication that allows for that to happen.

MY NEWEST PRINT

AVALON, EUREKA, APRIL 5, 2012

I was not looking to photograph this scene yesterday. I was on my way to check out the lighting at the Carson Block Building when I saw the lighting here. I did a lot of post production work in this image, and I liked it enough that I was compelled to print it. The print looks very similar to this, and is IMHO rich and compelling.

I really appreciate the soft-proofing feature in Lightroom 4. It made my decision as to which paper to use.

I have some images on display downstairs in the Morris Graves Museum of Art. Please stop by and take a look during Arts Alive tomorrow, Saturday, April 7th.

EUREKA MORNING PHOTOGRAPHY

THE EUREKA THEATER

I went to Eureka this morning. I was thinking that there was the possibility of my experiencing an actual sunrise. That is what I found along with some pretty nice lighting. I mostly worked between Sixth and F Streets to Third and H.

I have not worked this image at all, and will do so later.

SHOT OF THE DAY

SLOUGH

 

 

I thought I would share this image. I have not done much with it. I took it this afternoon on private property (I was invited).

VARIATIONS

VARIATION IN MUTED COLOR

When I first reworked this image I made a version that is quite saturated. I liked it, but then I desaturated it, coming up with this interpretation. I then made the black and white copy followed with the toned black and white. I honestly do not know which version I prefer.

VARIATION IN SATURATED COLOR, LAMY CHURCH 2008

I LOVE THIS LITTLE CHURCH

LAMY CHURCH, LAMY NEW MEXICO, DECEMBER 2008

I took this photograph sometime about a month after I took the one I shared yesterday. I was still using my Sony R1, but had yet to work out how to get satisfactory black and white results. In those days I was using the in-camera settings, and I did not really care for the results. In 2008, I printed this image in color, and it did have a moodiness that conveyed some of the feeling that I felt, but it still did not satisfy my vision. This particular rendition fulfills my expectations to a higher degree than prior efforts.

I have not yet applied a tone to this photograph. I toned many of my monochromatic images of late, but I wonder if this print needs to remain a true black and white. Perhaps I will try it, and post the results tomorrow.

THOUGHTS ABOUT AN IMAGE ON A STORMY MARCH DAY

LAMY CHURCH, LAMY, NM 2008

This is another example of an image that fermented for awhile. I photographed this church on at least four different occasions starting in 2007 through 2010. I created this interpretation over the past few days, and I think I found the mood that I wish to convey. I see this as almost a moonscape with a somewhat mysterious feeling. I worked on establishing the feeling of isolation, and I suspect I created an interpretation that conveys what it was that drew me to photograph this monument to the Creator in the first place.

WORKING ON PHOTOGRAPHS

ARCATA MARSH SUNSET

It is true and thus easy for me to say that I really enjoy working photographs that I allowed to "ferment" for awhile. This image for example is one that I took a couple of months ago, and I worked it then, but was not ready to "like" it. I have about four varriations on this particular photograph, including a black and white copy.

ARCATA MARSH SUNSET IN BLACK AND WHITE

This image does not have as much post processing as the color photo above, but it should convey the basic idea of how it looks as a monochromatic photograph. I admit that I am not really much of a sunset photographer. There are those out there that have either the knack and/or the drive to make eye-catching images of our star as it puts on it finery, and my hat goes off to them.

Feeling Spring Fever

THE SLIM PRINCESS AT LAWS, CALIFORNIA, 2008

It is fun for me to go back through some of my earlier images and see what I can do with them. I am going to make a print of this train, and donate it for a fund raising silent auction event. As usual, I cannot decide between the black and white or the color image. By-the-way, it is called the Slim Princess because it is narrow gauge engine and train. Laws is near Bishop, California, and is not all that far from the ghost town of Bodie.

THE SLIM PRINCESS IN COLOR

STRIPES

Nature reclaiming an old road.

I just now reworked this image. I took it back in 2010 with the Sony R1. I utilized my increased skill set for working in Lightroom to enhance and reinterpret this image. The changes over what I did to it two years ago are subtle, yet significant. It may seem like a contradiction, but I find that when working on a fine-art piece that there is a point where subtle changes make all the difference.

The first version of this photograph.

In looking at the two photographs you may be able to discern a difference in the color and luminance of the pavement and of the green stripes. I think it is valid to prefer one over the other.